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News :: Human Rights : International
Activist Coalition Tells Israel Ballet: Don't Tiptoe Around Apartheid!
21 Feb 2010
Modified: 06:47:46 PM
by BDS Activists, Boston, MA
Contact: bdsbostonma (at)

Worcester, MA, February 20, 2010 – The Israel Ballet’s recent performance of Don Quixote was protested by a coalition of activists who sought to highlight the troupe’s role in the Israeli government’s attempt to whitewash its record of war crimes, violations of international law, and other atrocities through promotion of its country’s artistic and cultural workers.
Approximately 34 students, workers, activists, and people of faith gathered in front of the Hanover Theatre, holding signs ranging from the playful to the direct. Representatives from the Worcester area Catholic Workers displayed an image of Don Quixote with the slogan, “Dream A Possible Dream.” Students from Clark University asked “Where Are the Arabs in Your Arabesques?” And Boston area activists held a banner proclaiming “Tutus Can’t Cover Israel’s War Crimes.”

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Other demonstrators posed as ushers, distributing alternative programs to those attending the ballet. Appearing on the outside to be a regular performance program, inside it detailed the Israel Ballet’s role as an “Ambassador of Apartheid,” explaining how arts and culture are used by the Israeli government to promote a friendlier image of the country so as to distract from its ongoing system of apartheid, colonial occupation, and violations of human rights and international law. Activists succeeded in handing out all 200 programs they brought with them.

Boston, MA, May 3, 2010 – Local activists protested the so-called “Israeli Innovation Weekend” (IIW) at the Museum of Science in Boston through multiple, disparate actions on Sunday. IIW’s sponsors, including the Consulate General of Israel to New England, were left flummoxed by the activists’ efforts and largely unable to prevent their successful, multi-pronged disruption of the event.

Protesters targeted IIW because it was part of a state-sponsored campaign to “greenwash” Israel’s discriminatory, apartheid regime and atrocious human rights record. IIW was officially sponsored by the Israeli Consulate, which also played a major role in funding and planning the event; nearly half of IIW’s steering committee was composed of Consulate staff and the Consulate was one of the top donors.

Throughout the day, protesters maintained a visible public presence outside the Museum. Protesters held signs drawing attention to Israeli “innovation” in technologies of death such as white phosphorus and cluster bombs, parodying the exhibit’s slogan, “Healing the World Through Technology.”

Across the street from the Museum, demonstrators also prominently displayed a large Palestinian flag from the adjacent East Cambridge Lechmere Viaduct Bridge. The protesters’ message was seen by hundreds of Museum visitors and passing tour groups, many of whom called out or honked horns in expressions of solidarity.

Meanwhile, inside the Museum, lone activists stealthily replaced the IIW program with a duplicate program, virtually identical in appearance but which highlighted themes of the Israeli science and technology sectors’ complicity in water theft and other abuses. The front of the program named Israel “The World’s Leader in Cutting-Edge Apartheid Technologies,” while inside the program, titles of IWW lectures were re-printed with altered titles. For example, “Sunshine and Sustainability: Israeli Leadership in Solar Technology” was renamed "Sustainable Darkness: Israeli Innovations in Torture Technology and Extra-Legal Maneuvering,” while “Sharing Water in the Middle East—Israel’s Cross-Border Water Resource Strategy” became “Strategic Water Appropriation in the Middle East: Might Makes Right.” IIW organizers were overheard multiple times expressing anger and frustration at their inability to determine who was “plastering” the exhibit with this literature.

Download a copy of the alternative program here:


At the conclusion of the 1-hour action, Israel Ballet Associate Director Dan Rudolf came out to address the protesters. Rudolph insisted that anyone who claimed the Ballet received money from the Israeli government was a liar, despite the fact that Ha’aretz has reported it receives over $1 million from Tel Aviv annually ( In response to questions from demonstrators asking “What happened in 1948?” Rudolf replied, “You know what was in Israel before 1948? Nothing. Nothing was.” When protesters cited Israeli historians Ilan Pappe’s and Benny Morris’s documentation of the hundreds of thousands of Palestinians displaced, exiled, and killed in 1948 and the destruction of 500 Palestinian villages, Rudolf stated, “That belongs to the tale of 1001 Arabian Nights, to the tale of Ali Baba.”

The Massachusetts activists were pleased to be part of a larger, multi-city campaign that refuses to let the Israel Ballet “tiptoe around apartheid,” a campaign that is part of the larger movement for boycott, divestment and sanctions (BDS) against Israel (see for more information). Only two days prior, activists in Burlington, VT succeeded in disrupting the Israel Ballet’s actual performance with a banner:

The BDS movement is an international response to the call from Palestinian society to boycott, divest from, and sanction the Israeli government until it ends its occupation and dismantles the wall, recognizes the equal rights of Palestinian citizens, and respects the right of return of Palestinian refugees. To learn more about the call for BDS, and to read about other organizations engaged in BDS work who also support the protest of the Israel Ballet, see: - site of the global BDS movement; you can read the call for BDS here - site of the Palestinian campaign for Academic and Cultural Boycott of Israel - site of the U.S. Campaign to End the Israeli Occupation

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Video of Associate Director of Israel Ballet, Dan Rudolf:

Burlington, VT action on 2/19/2010:

Brooklyn, NY action on 2/21/2010:

Other Links:
See also:

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