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Announcement :: Media
Negroes With Guns: Rob Williams and Black Power || Mar 22
20 Mar 2006
Modified: 01:46:02 PM
Free Screening: Negroes With Guns: Rob Williams and Black Power
7pm, Wednesday, March 22, 2006

at the Lucy Parsons Center
549 Columbus Ave (in the South End)


http://www.pbs.org/independentlens/negroeswithguns/

NEGROES WITH GUNS: Rob Williams and Black Power tells the dramatic story of the often-forgotten civil rights leader who urged African Americans to arm themselves against violent racists. In doing so, Williams not only challenged the Klan-dominated establishment of his hometown of Monroe, North Carolina, he alienated the mainstream Civil Rights Movement, which advocated peaceful resistance.

For Williams and other African Americans who had witnessed countless acts of brutality against their communities, armed self-defense was a practical matter of survival, particularly in the violent, racist heart of the Deep South. As the leader of the Monroe chapter of the National Association for the Advancement of Colored People (NAACP), Williams led protests against the illegal segregation of Monroe’s public swimming pool. He also drew international attention to the harsh realities of life in the Jim Crow South. All the while, Williams and other protestors met the constant threat of violence and death with their guns close at hand.



Upcoming Films:

March 29 – Can Dialectics Break Bricks?

1973 film produced by French Situationist René Viénet. The Situationists only contributed the sound track over the original Kung fo film,which is their method of detournement.The concept and motivation of this film is of adapting bourgeois films into ‘radical critiques’ of cultural hegemony and thus into tools of Subversive revolutionaries ideals.

The Narrative is based on a conflict between the proletarian and bureaucrats within state capitalism. The proletarians enlist their dialectics and radical subjectivity to fight their oppressors while the bureaucrats defend themselves by trying to buy off the skilled dialecticians and violence. The film uses many types of humour from sarcasm and puns to cruder jokes but is overall quite effective.

The film contains many references to revolutionaries who thought and fought for the realisations of a post-capitalists world, including Marx, Bakunin and Wilhelm Reich. Also Subplots dealing with issues of gender equality, alienation, trade unionism,May 1968 and the Situationist themselves are riddled throughout the film.


April 5 – Simple Men (1992)

Directed by Hal Hartley

Bill McCabe, a vaguely misogynistic ne'er-do-well who has just been double-crossed by his girlfriend during a heist, is reunited with his younger and more reserved brother Dennis on a quest for their father. Along the way they encounter a lonely bar owner with whom Bill falls in love, an epileptic young woman with a big secret, a psychotic ex-husband, a bitter sheriff, and several other colorful characters. This "road movie with a twist" aims to explore men's attitudes toward both women and themselves.


April 12 - The Revolution Will Not Be Televised (also titled Chavez: Inside the Coup)

2002 documentary about the April 2002 attempted coup d'état in which Venezuelan President Hugo Chávez was briefly deposed.

A television crew from Ireland's Radio Telifís Éireann happened to be recording a documentary about Chávez at the time when the coup broke out. Shifting focus, they then proceeded to follow the events as they occurred. During their filming, the crew recorded images of the events that contradicted explanations given by anti-Chávez campaigners, the opposition-controlled private media, the US State Department, and then White House Press Secretary Ari Fleischer. Their conclusion is that the coup was the result of a much larger conspiracy between various old guard, anti-Chávez factions within both Venezuela and the United States.

The film has won awards at many of the film festival screenings where it was shown. It has been widely debated among both supporters and critics of the Venezuelan government. According to some critics and members of the Venezuelan opposition, the film omits (or misrepresents) important events, such as the resignation of Chávez publicly announced by General in Chief Lucas Rincón Romero.

Supporters of the Chávez administration and of the film claim that there has been intimidation by anti-Chávez groups and attempts to have the documentary quashed. They argue the events are in fact correctly portrayed in the documentary. Further it is claimed that Gustavo Cisneros was involved with the coup and behind attempts to quash the film.


April 19 – Burn! (Queimada) (1969)

The professional British mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent again to deal with the same rebels that he built up because they have seized to much power that now threatens British sugar interests.


April 26 – The Mad Songs of Fernanda Hussein
Directed by John Gianvito

Director will be present for the screening!!

Made over six years on a minsicule budget with a cast of nonprofessionals, The Mad Songs of Fernada Hussein melds fiction and documentary to examine the lasting ramifications of the 1991 Persian Gulf War on three characters in New Mexico. The Fernanda Hussein of the title is a Mexican American mother separated from her Arab husband whose children are targeted due to anti-Iraqi sentiments. Interwoven are two other stories, one following a young teenage boy, adrift in his anger, struggling to find a way to affect change; the other, the story of a returning veteran (portrayed by a Gulf war veteran) indelibly marked by what he’s witnessed and participated in.

“ My goal was to try to create a time-capsule of what it felt like to be in America during that period, to preserve as best possible the memories I had of that time, with the hope of encouraging reflection.” (John Gianvito)


May 3 - Punishment Park (1971)
Directed by Peter Watkins

"Punishment Park" is a pseudo-documentary purporting to be a film crews's news coverage of the team of soldiers escorting a group of hippies, draft dodgers, and anti-establishment types across the desert in a type of capture the flag game. The soldiers vow not to interfere with the rebels' progress and merely shepherd them along to their destination. At that point, having obtained their goal, they will be released. The film crew's coverage is meant to insure that the military's intentions are honorable. As the representatives of the 60's counter-culture get nearer to passing this arbitrary test, the soldiers become increasingly hostile, attempting to force the hippies out of their pacifist behavior. A lot of this film appears improvised and in several scene real tempers seem to flare as some of the "acting" got overaggressive. This is a interesting exercise in situational ethics. The cinema-veritie style, hand-held camera, and ambiguous demands of the director - would the actors be able to maintain their roles given the hazing they were taking - pushed some to the brink. The cast's emotions are clearly on the surface. Unfortunately this film has gone completely underground and is next to impossible to find. It would offer a captivating document of the distrust that existed between soldiers willfully serving in the military and those persons who opposed the war peacefully.


May 10 – Love and Anarchy (1973)

Tells the story of a shy country peasant who goes to the city with a plan to assassinate Benito Mussolini. Shows how his underground contact in the network of anarchists offers him a hideout in her brothel where he meets a young prostitute and falls in love.




Radical Film Night at the Lucy Parsons Center
Every Wednesday night at 7pm
Always Free


Questions-Comments about the film series, contact films(-at-)lucyparsons.org


*********
ABOUT LPC
*********

+++ Where are we?

Lucy Parsons Center
549 Columbus Avenue
Boston's South End
Telephone: 617.267.6272
Email: lucyparsons (at) tao.ca
Web: http://www.lucyparsons.org/

+++ Directions

By train/public transportation: Take the Orange Line to the Mass Ave. stop, or the Green "E" line to the Symphony stop. Walk south on Mass Ave for a minute or two. Go left onto Columbus Avenue for 1-1/2 blocks. Lucy Parsons Center will be on the left.

By bus:Take the #1 Dudley/Mass Ave bus to the corner of Columbus Avenue and Mass Ave. Walk east on Columbus Avenue 1-1/2 blocks. Lucy Parsons Center will be on the left.

By car, from Storrow Drive:Exit at Copley. Go left at the light, onto Arlington Street. Continue approximatley five blocks until Columbus Avenue. Go right onto Columbus Avenue for approximately eight blocks. Lucy Parsons Center will be on your right. If you reach Mass Ave, you've gone one block too far.

From I-93 N or S:Take the Storrow Drive exit. Continue 1-2 minutes on Storrow and exit at Copley. Go left at the light, onto Arlington Street. Continue approximatley five blocks until Columbus Avenue. Go right onto Columbus Avenue for approximately eight blocks. Lucy Parsons Center will be on your right. If you reach Mass Ave, you've gone one block too far.

+++ What are we?

The Lucy Parsons Center, Boston's collectively run radical bookstore features an extensive selection of radical books and magazines, internet access, space for talks and meetings, and free movies Wednesday nights. Located at 549 Columbus Avenue in the South End the store is just down from Mass Ave and easily reached from the Mass Ave and Symphony T stations and the #1 bus. Regular store hours Mon-Fri 12-9pm Weekends 12-6.

+++ Volunteer

Volunteering at LPC isn't just about donating your labor. All of the Lucy Parsons Center volunteers contribute to all aspects of running the store and can take part in all decisions in how it's run. If you know anything about grant writing, web design, or any other skills you think would be useful, or if you just want to be part of this great radical project, please email Pete at petestid (at) yahoo.com

+++ Use our space for radical stuff

One of the most important aspects of the Lucy Parsons Center is providing a community meeting place for radical activities. If you want to host an event, please send an email to Rebecca at rebeccabatchelder (at) yahoo.com. Make sure to give enough notice so that we can approve the event at our bimonthly meetings.

If you have a group that needs a space to have regular meetings, just come to the bookstore and fill out a space request form. Again, make sure to allow time for approval by the collective.

+++ Donate MONEY!

We need support to help ensure the Lucy Parsons Center continues to grow and be an important resource for the community. Donations can be made in the form of cash, check or credit cards. Please call the store for more info. If you don't have a lot, don't worry, even donating the change of your purchase can make a difference.


Subscribe to the LPC announcement only-list:
lucy_parsons_center-subscribe (at) lists.riseup.net

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WORDS OF WISDOM FROM BILL COSBY
24 Mar 2006
WHY IS INDY MEDIA AFRAID OF BILL COSBY'S WORDS?

"We Can't Blame White People"
Wed, 7 Sep 2005 15:23:29 EDT
by BILL COSBY

"They're standing on the corner and they can't speak English. I can't even talk the way these people talk:

Why you ain't,
Where you is,
What he drive,
Where he stay,
Where he work,
Who you be...
And I blamed the kid until I heard the mother talk. And then I heard the father talk.

Everybody knows it's important to speak English except these knuckleheads. You can't be a doctor with that kind of crap coming out of your mouth.
In fact you will never get any kind of job making a decent living. People marched and were hit in the face with rocks to get an education, and now we've got these knuckleheads walking around.
The lower economic people are not holding up their end in this deal.
These people are not parenting. They are buying things for kids. $500 sneakers for what? And they won't spend $200 for Hooked on Phonics. I am talking about these people who cry when their son is standing there in an orange suit.
Where were you when he was 2? Where were you when he was 12? Where were you when he was 18 and how come you didn't know that he had a pistol? And where is the father? Or who is his father?
People putting their clothes on backward: Isn't that a sign of something gone wrong?
People with their hats on backward, pants down around the crack, isn't that a sign of something? Or are you waiting for Jesus to pull his pants up? Isn't it a sign of something when she has her dress all the way up and got all type of needles [piercing] going through her body?
What part of Africa did this come from? We are not Africans. Those people are not Africans; they don't know a thing about Africa. With names like Shaniqua, Taliqua and Mohammed and all of that crap, and all of them are in jail.
Brown or black versus the Board of Education is no longer the white person's problem.
We have got to take the neighborhood back.
People used to be ashamed. Today a woman has eight children with eight different 'husbands' -- or men or whatever you call them now. We have millionaire football players who cannot read.
We have million-dollar basketball players who can't write two paragraphs. We as black folks have to do a better job. Someone working at Wal-Mart with seven kids, you are hurting us.
We have to start holding each other to a higher standard. We cannot blame the white people any longer."